Maestoso-Allegro Andante Presto

7:08 7:18 6:42

I tried not to take this project too seriously. I Made the first Movement typically classical. The Andante is more serious; it has more jarring chords and Romantic/Impressionistic melodies. The Presto is more typical of a Haydn Symphony.

Violins 1 &  2, Violas, Celli, Bassi, 2 Flutes, 2 Oboes 2 Bassoons, 2 Horns, Tympani

Canons	Six individual movements	4:29	Very nice sounding. For young players.	(2 voices) Fl. and ob.
Canons	Seven individual movements	7:10	The first few are not counter punctually correct. The rest are pretty much consonant	(3 voices) Piano
Capriccio	Free style	4:05	Very modern harmonics at first. Demonstrates modern, romantic, Classical, and Baroque types of  music	Piano
Balladé	Jazz Style	3:22	I have an interesting ability to compose music of all genres. I really had to study up on this one to make it sound Jazz-like.  I did this one for a friend...He better like it!  I may do more.	Trumpet Tenor Sax Piano Bass Drums
Kudaranai	Techno Style	4:09	I wrote this one for a friend. I guess she liked it.  Kudaranai means nonsense in Japanese. Are you dancin' yet?	Synth.
Prelude and Fugue	Baroque Style	3:18	Very nice introduction. Emotional. The fugue is typical of a baroque style.	Piano
Dance for Oboe	(One dance)	1:33	I am probably not done with this one. What do you think? I wrote it for some dude online who wanted someone to write something for him...	Piano Oboe
Air	(One movement)	1:17	A short piece for my old piano teacher. Very nice classical style.	Piano
Rendition of Bethoven's 5th	(Short little piano piece.)	1:28	This is a little cool thing I whipped up with one of Beethoven's famous themes	Piano

Aria for Bass	3:20	The words to this are from one of Shakespeare's darker Sonnets
Aria for Bass	6:20	This song is very thematic! It is comical and expressive. The words are, again, from one of Shakespeare's Sonnets.
Requeim Aeternam	9:56	This part of the requiem begins with a solomn-like approach,  immolating the anger and deep reality of death.  A dark tone, often concealed, carries through the first 8 minutes until it erupts, with the crescendo of a tympani, into a rejoiceful acceptance that slowly evolves throughout the last minutes of the song.  The style has somewhat of a prelude and fugue setting. The "Prelude,” which repeats,  ends about 5:30. The fugue-like contraption states its theme in the strings and constantly stops in the end of the exposition to introduce it to the Choir. Both groups meet together to the "end" but are left unsure of what is to come later in the Requiem.